Viewfinder: Lauren Schneiderman

[imgbelt img=LS_LivingCoal_05.jpg] A photographer who sets out to explore the polarizing issue of mountain top removal coal mining finds a far more complex story in southern West Virginia. Lauren Schneiderman, who grew up in New York City, hopes her “Living Coal” project will help others see their connection to a rural region and its people.


Lauren Schneiderman: I was born and raised in New York City, in the suburban area of Flushing, Queens. Spending my formative years in Queens, one of the world’s most diverse communities, inspired me to see more of the world. After moving around for a while both nationally and internationally, eventually I ended up at Goucher College in Baltimore, Maryland, where I received a B.A. in women’s studies and international relations and later an M.A. from the Corcoran College of Art and Design in new media photojournalism.


DY: When and how did you start taking photographs?

LS: I began taking photographs in college, after taking an introductory course on darkroom photography. Although I was pursuing a degree in women’s studies, I was drawn to the darkroom process because of the hands-on nature of it. I’ve always enjoyed creating things from scratch, and this seemed to be the perfect medium to fulfill that interest. After college I spent a semester at the Salt Institute for Documentary Studies, an intensive program in documentary storytelling. As I continued to develop my understanding of photography, I realized that visuals can cross cultures and languages, and I wanted to use images as a story-telling device. This realization has led me to the point where I am now, working as a visual-journalist.


DY: Where do you live now?  

LS: I’m currently based out of Washington, D.C. I moved here in 2011 to begin a master's program at the Corcoran College of Art and Design in new media and photojournalism. I graduated in 2013 and took up full-time residence here because of its thriving photography/storytelling community and all of the opportunities available for people in the industry. Living in D.C. has opened the door for me to work with some incredible people and organizations like the working on a feature length documentary and photographing for The Hill Newspaper, where I cover politics and Capital Hill.

Living Coal series?  What impact do you hope it has?

LS: While working on my thesis project in West Virginia, I discovered myself. I thought that I was going to do a project on mountaintop removal [coal mining] until I actually got there and realized that it was not the story I wanted to tell. The story I became interested in was more nuanced and less polarized, one that reflected the true complexity of West Virginian’s relationships to the coal industry.

Although this project has its roots in coal mining, it is not simply a story about coal. Rather, it is a story about a dying industry, what it is like to live in a mono-economy and the people that are impacted when that staple economic industry is no longer successful. My project is about one family and their struggles, but the story is not theirs alone. It is a story that is being played out through households across Appalachia, and more specifically West Virginia.

Coal is so often in the news, as we hear the political rhetoric surrounding its positive and negative impacts—that it keeps our lights on, that it’s dying, that it’s bad for the environment and is being replaced by natural gas. What you rarely hear about are the people that live these headlines and experience the impact of the environmental, economic and health impacts.

It is my hope that Living Coal can show people, specifically those who live outside of coalfields and outside of a mono-economy, what happens when an industry fails and there is nothing there to replace it. I hope that viewers can look beyond their pre-conceptions of the coal industry and this region to see the complicated impact it’s had on these families.

Through working on this project, I’ve watched as this family lost their income and home, were forced to move back in with their parents. I watched their subsequent moves out of the state, their marital separation and the impact it’s had on their children— at the core of all of these major life changes was the economy, joblessness, financial struggle. 

I don’t regard this as a finished project and I’m not quite sure if I ever will, for this is a story that needs constant reflection and consideration. How will the impact of this affect their future, and the future of their children, five, 10 or even 20 years down the line?

I created as a kind of historical document where viewers can go to and see what is new, what has changed and what remains intact.

Lauren Schneiderman is an independent photographer and filmmaker. She recently graduated from the Corcoran College of Art and Design with an M.A. in new media and photojournalism. Originally from Queens, New York, Lauren is currently based in Washington, D.C., but spends her free time in West Virginia.