Elmer Kelton wrote The Time It Never Rained to "give urban people a better understanding of hazards the rancher and the farmer face in trying to feed and clothe them."
“I came upon a child of God,
he was walking along the road…”
And he was on his way to creating one of
the enduring idylls of 20th century rurality – the Woodstock Music and Art Fair.
Hard to believe that 40 years ago “going up the country”
was about the coolest direction you could take, since now young
hipsters are clustering in urban places -- New Orleans, San Francisco,
Vancouver, and Brooklyn.
Looking back at what happened at Max Yasgur’s dairy farm that rainy
weekend, it seems a vivid example of what happens when urban
sensibility suddenly takes command in a rural setting. There’s a lot
of righteous, dreamy fun -- alright MAGIC – and there’s also lots of wreckage.
According to wiki:
“On January 7, 1970, four-and-a-half months after the festival, Yasgur
was sued by his neighbors for area property damage…. The damage to his
own property was far more extensive and, over a year later, he received
a $50,000 settlement to pay for the near-destruction of his dairy farm.
"In 1971, less than two years after the festival, Max Yasgur sold the farm, and nineteen months later, died of a heart attack at the age of 53.”
Folk music singer, collector, promotor and revivalist Mike Seeger died last Friday at his home in Lexington, Virginia, of multiple myeloma, a kind of blood cancer. He was 75 years old and is shown above with his future wife Alice Gerrard. Seeger formed the New Lost City Ramblers in 1958 as one of the first of many folk song revivalist bands. "That group revived songs of forerunners such as Charlie Poole, Uncle Dave Macon and The Carter Family without applying the mainstream gloss of many folk boom-era acts, and Seeger’s enthusiasm for music that many had considered archaic or quaint was both a lesson and an inspiration for young acoustic acts in the ‘60s, including Bob Dylan and Loudon Wainwright III," wrote Peter Cooper in the Nashville Tennessean.
Seeger — the half brother of Pete Seeger — was also a record producer. He sought out and then recorded Dock Boggs, a banjo player in southwestern Virginia who had not played actively in decades. He recorded and produced American Banjo, Scruggs Style in 1957, which was the first bluegrass long-playing album released. More recently, he played autoharp on a song included the Grammy-winning album Raising Sand, by Robert Plant and Alison Krauss.
"Although only eight years his junior, Mr. Dylan called Mr. Seeger a father figure — for helping the under-age Mr. Dylan with his paperwork — and rhapsodized about him as the embodiment of a folk-star persona," wrote Ben Sisario in the New York Times. “Mike was unprecedented,” Dylan wrote. “As for being a folk musician, he was the supreme archetype. He could push a stake through Dracula’s black heart. He was the romantic, egalitarian and revolutionary type all at once.”
In the Great Depression of the 1930s, President Roosevelt put the nation to work -- employing even artists, who left us a vivid record of that dreadful, hopeful time.
Arts and Culture | Cool Places | Travel/Recreation
An emporium of Louisiana culture with a sci-fi twist, the UCM
Museum is an hour and one giant step from New Orleans. You just crossed over into the
Bassigator Zone.
Last week federal agents, armed and suited out in flak jackets, surrounded the home of a 60-year-old doctor in rural Utah. They arrested his wife and then picked up Dr. James Redd when he returned from his morning rounds. They were part of what the U.S. Department of Interior calls the largest bust of those who take Native American artifacts from sacred burial sites on public lands. The day after his arrest, Dr. Redd killed himself, and that has set Blanding, Utah, into turmoil.
Nearly 1,000 people came to Dr. Redd's funeral Tuesday (photo above), writes Los Angeles Times reporter Nicholas Riccardi, approximately one third of the population of Blanding. The reaction in the area (at least among the Anglo residents) is that the federal agents went too far and acted to harshly. "Eighteen vehicles surrounded the Redds' house," San Juan County Supervisor Bruce Adams said in an interview. "Do we do that with child molesters? With murderers?" He added, "I haven't seen a piece of pottery or an artifact that's worth a human life."
Even supporters of the arrest wonder if the federal agents went too far. "The whole point they wished to make is gone," said Winston Hurst, a Blanding native and archaeologist who has long fought against the digging up of ancient graves, a practice known locally as pot-hunting. "It's completely swamped by the ridiculous imagery of people in their flak jackets taking some old sucker, shackled hands and feet, and shuffling him into the slammer." It did take more than ten hours to remove all the stolen artifacts from the Redds home.
The other day I received a fund-raising letter from Brown University in Providence, Rhode Island. I'm still on the school's mailing list even though I never graduated from the place. Anyway, the letter came from a student at the school, Gabby Salazar, class of '09. Her job was to raise money and she had a story — which was that Brown saved her from a life in a "small town" and going to a school in North Carolina. Her pitch essentially was that Brown saved her from a life in the rural South.
"I grew up in a small town in North Carolina, and, for the most of middle school and high school, I confined my dreams to colleges in my home state," wrote Gabby Salazar. She met a representative from Brown (who braved the journey to the hinterlands) and "suddenly, Brown became a possibility." The rest is then all good — learning, friendship, success. All of that is true — and she was saved from backwaters like UNC, Duke and Appalachian State.
What isn't true is the "small town" part. Gabby hailed from Greensboro, a metro area of 1.5 million people. (See skyline above.) Gabby went from a city with 259,000 to Providence, which has 172,000 (and a metro area the same size as Greensboro). Poor-mouthing rural is a great way to raise money, I guess. But couldn't Brown have found a student who came from a real small town — maybe some tiny, secluded, out of the way metro area with fewer than a million people?
As it turns out, art really does imitate life, at least with the late actress Donna Reed. The dreamy icon of post World War II television and movies turns out to be very much like her Iowa-girl-next-door marketing. There are letters to prove it. Hundreds of them.
Reed’s family has just released a remarkable collection of 341 letters to Reed from American military men in World War II looking for a friendly pen pal amid the horrors in Europe and the Pacific, according to The New York Times. “After nearly 65 years in a shoebox inside an old trunk long stored in the garage of her home in Beverly Hills, Calif., the letters have at last been read and made public by the actress’s children,” The Times reported.
Molly Paulsrud, managing director of the Donna Reed Foundation in Denison, Iowa, Reed's hometown, tells The Daily Yonder there already have been discussions about bringing the collection of letters to Iowa. “I believe they will be making their way to Denison, Iowa,” Paulsrud said. She said the letters may be in Denison as part of a temporary display, not a permanent archive. “She was a classic and she’s become a woman of our time again,” Paulsrud said.
Donna Reed was born Donnabelle Mullenger in Denison on Jan. 27, 1921. At age 16, she left Denison by train for Los Angeles to complete her formal education and to pursue her dream of becoming an actress. She starred in films like the great American classic “It’s a Wonderful Life” and “From Here to Eternity” for which she won the Academy Award for best supporting actress. The first episode of “The Donna Reed Show” aired on Sept. 24, 1958. It ran for eight years and earned Donna Reed a Golden Globe in 1962 for best female television star.