Denver Post) for bringing maroon, green and yellow back into the picture history.

Bound for Glory, a LOC exhibition from 2006, drew together 70 prints taken by photographers for the U.S. Farm Security Administration 1939-1943. Unlike the famous shots we associate with Russell Lee, Dorothea Lange, and Walker Evans, these are in color. A girl in Pie Town, New Mexico, squats beside a pink rose bush, a farmer brings a load of golden Colorado peaches from the orchard.

And what a difference those hues make. Suddenly rural America seems less hardscrabble and deprived than a place where all sorts of things are happening. There’s less irony and more humor, less sympathy and more energy.

The photo above, taken by Jack Delano, shows workers chopping cotton in Greene County, Georgia, 1941.

Thanks to Anne Lewis for alerting us to the show.

"> Color Photos of the '40s Enliven the Sense of Rurality - Daily Yonder

Color Photos of the ’40s Enliven the Sense of Rurality

The past wasn’t black-and-white, though we often imagine it that way. Thanks to the Library of Congress (and the Denver Post) for bringing maroon, green and yellow back into the picture history.

Bound for Glory, a LOC exhibition from 2006, drew together 70 prints taken by photographers for the U.S. Farm Security Administration 1939-1943. Unlike the famous shots we associate with Russell Lee, Dorothea Lange, and Walker Evans, these are in color. A girl in Pie Town, New Mexico, squats beside a pink rose bush, a farmer brings a load of golden Colorado peaches from the orchard.

And what a difference those hues make. Suddenly rural America seems less hardscrabble and deprived than a place where all sorts of things are happening. There's less irony and more humor, less sympathy and more energy.

The photo above, taken by Jack Delano, shows workers chopping cotton in Greene County, Georgia, 1941.

Thanks to Anne Lewis for alerting us to the show.

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The past wasn’t black-and-white, though we
often imagine it that way. Thanks to the Library of Congress (and the Denver Post) for bringing maroon, green and yellow back into the picture of history.

Bound for Glory,
a LOC exhibition from 2006, drew together 70 prints taken by
photographers for the U.S. Farm Security Administration 1939-1943.
Unlike the famous shots we associate with Russell Lee, Dorothea Lange,
and Walker Evans, these are in color. A girl in Pie Town, New Mexico,
squats beside a pink rose bush, a farmer brings a load of golden
Colorado peaches from the orchard.

And what a difference those hues make. Suddenly rural America seems
less hardscrabble and deprived than a place where all sorts of things
are happening. There’s less irony and more humor, less sympathy and
more energy.

The photo above, taken by Jack Delano, shows workers chopping cotton in Greene County, Georgia, 1941.

Thanks to Anne Lewis for alerting us to the show.

 

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